Source record CMC Political Work Department · 2026-05-15

Special Issue on Military-Strengthening Culture · Cultural Clarion Call | The Warmth Carried Forward from a Slip of Paper

强军文化专刊·文化号角丨一张纸条的温暖延续

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Desk	China Desk
Publishing institution	CMC Political Work Department
Source outlet	PLA Daily (解放军报) (pla_daily)
Source language	zh-Hans — an attribute of the source, not of this record
Source-stated publication date	2026-05-15
Original URL	http://www.81.cn/yw_208727/16461173.html
Collected at	2026-05-15 18:13:39 — collection metadata, not a publication time
Content fingerprint	71297d10666fa80b85aa3c80e9334b30f108dc5d8527db9e18d32ef491d9c535 — taken when the record was captured, over the stored original title and text
Collection run	21
Analysis model	claude-sonnet-4-6
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一张纸条的温暖延续 ■雷惠云解放军报特约通讯员陈鑫图为官兵观看节目后寄给“八桂薪火”文艺小分队的部分信件。陈鑫摄 “嘉鑫，今天又有你们的信件。”前不久，武警广西总队“八桂薪火”文艺小分队巡演结束后，编导、二级上士谢嘉鑫的桌上堆满了来自基层官兵的亲笔信，共计69封。指尖抚过一封封信笺，暖意漫上心头，他不由得想起最初收到的那张纸条。那是一次巡演散场后，一名战士快步走到谢嘉鑫身边，递来一张折叠整齐的纸条，上面写道：“这样的节目很精彩，要是节目中有身边战友的故事就更好了。” 纸条上的短短一行字，谢嘉鑫看了许久，心底翻涌起复杂的情绪。近几次演出，现场气氛热烈、掌声不断。他一度以为，节目越排越顺、效果越来越好，自己早已得心应手。可静下心来回想才发觉，喧嚣散去、掌声落幕，真正留在官兵心底的力量有多少、带来的触动有多深，他没有认真思量。想到这里，一丝愧意悄悄爬上心头，脸颊微微发烫。几天后，谢嘉鑫和队员们踏上新的巡演路，第一站便是驻守在深山电站的某中队。在那里，他遇见了下队不久的战士陈纪宏。一次下夜哨后，陈纪宏向他吐露心事：“我入伍时本想去特战队，却分到了深山里。那段时间情绪很低落，可每次执勤站在大坝前，听着澎湃的水流声，心里就慢慢平静下来。” “大坝在这里立了几十年，见证了一茬茬守坝官兵的成长。”守坝18年的一级上士杨国成说：“水位警戒时，我们彻夜不眠紧盯仪表盘；就算休假在家，也总惦记着大坝的情况，像牵挂一位老朋友……” 远处山影沉沉，脚下水声滔滔。战士们的话语，让谢嘉鑫迸发创作灵感：把巍巍大坝比作扎根深山的“老人”，从大坝的视角讲述一代代守坝官兵的坚守与成长。历时半个月，舞台剧《大坝和我》新鲜出炉。演出在电站的小礼堂温情上演，在“大坝老人”与年轻哨兵的对话中徐徐展开。台下，陈纪宏望着舞台上的身影，仿佛看见自己日夜坚守的哨位，更加读懂平凡岗位的分量与荣光。演出的成功，让谢嘉鑫和队员们有了更为深刻的感悟。谢嘉鑫说：“那张纸条仿佛点醒了我们。动人的细节往往藏在那些平凡的军营生活中，关键在于我们有没有贴近官兵、倾听兵心、为兵而歌的心。”从此，每次巡演结束，队员们都会主动留下一句话：“欢迎把身边的故事，写信告诉我们。” 官兵的回应热烈而真诚，来信日渐增多。一个个藏在战位上的故事、一段段埋在心底的情感，源源不断汇聚而来，让最初的那张纸条，有了温暖的延续。一次，谢嘉鑫发现，不少信中都诉说着对家人的牵挂。那年冬天，他在二级上士张勇的手机里，看到一张特殊的“全家福”——照片里，是张勇与千里之外妻儿的隔空合影。因为任务在身，他多次错过孩子成长的重要时刻。谢嘉鑫把这份千里相思与大山坚守，融入节目创作，编排了小品《电话这头，哨位那头》。演出结束后，张勇握住谢嘉鑫的手，说：“你们演到了我心坎里，说出了我想说却没说出口的话。” 从一张纸条到69封信，串起一段军事文艺为兵服务的温暖旅程。谢嘉鑫说：“官兵把真实的故事告诉我们，我们能做的，就是把这些感人的故事，用心讲给更多人听。”

Summary

Machine summary

The People's Armed Police Guangxi General Corps' 'Bagui Xinghuo' art troupe, led by director Xie Jiaxin, has reoriented its touring performance program around soliciting firsthand accounts from grassroots PAP personnel—producing original works such as the stage drama 'The Dam and I' and the skit 'This End of the Phone, That End of the Post' drawn directly from soldiers' experiences at remote postings. The article is a product of the PLA Daily's special issue on 'military-strengthening culture' (强军文化) and illustrates the institutional emphasis on using military arts as a morale and ideological cohesion tool at the unit level, particularly for personnel in isolated or unglamorous assignments. The piece contains no new information on capability or posture and is useful primarily as a data point on how the PAP sustains political work and unit cohesion through cultural programming.

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Source text. CMC Political Work Department. "强军文化专刊·文化号角丨一张纸条的温暖延续." PLA Daily (解放军报), 2026-05-15. http://www.81.cn/yw_208727/16461173.html.

As held. Indo-Pacific Record, China Desk Corpus, Record 308, Snapshot — 2026-08-26 (3,574 records).

Processing note. The English title and summary held for this record are machine-generated and have not been reviewed by a human.

The record number and this record path are locators inside the 2026-08-26 snapshot. Neither is a DOI, accession number, permanent identifier, public permalink, or published route. See identifiers and citation guidance.